Izotope ozone 8 psytrance presets
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“Having Ozone and the availability and the flexibility of the presets makes the job a lot easier,” Greg says, “in terms of walking out at night knowing that you did the best thing that you could. Ozone’s “Bypass” and Effective Gain Match features allow you to hear the musical effect, independent of level, of how your mastering is affecting the blend, color, and quality of the material. Use -16 dBFS as a target, and adjust the input level up and down by a few dB while listening through Ozone until you like what you hear.Īnd remember, always compare your master to the original mix at the same level. To accomplish this, adjust the input slider within Ozone while watching the plug-in meters. The presets expect an ‘average’ (sometimes referred to as RMS) input level of about -16 dBFS, give or take 4 dB. In order to get the best results from these presets, you’ll need to take some care setting the incoming level of your mix. iZotope has teamed up with legendary mastering engineer Greg Calbi to give you new Ozone 6 presets, the same ones designed and used by Greg on a daily basis. Greg will even send back mixes that he receives which are too loud or so limited that he has no room to work. If your final mix is too loud, the mastering processing will sound harsh and over-distorted in most cases, and can make it more difficult to arrive at a great-sounding final master. It’s very important to ensure your final mix has a good deal of headroom to work with before applying any mastering processing. Making minor adjustments along the way to each subtle variant of each family of presets, Greg continues the process of comparing and deciding which works better for the mix until he’s arrived at the ideal master. Doing frequent A/B comparisons between two versions helps him decide which sounds better.
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A few tips for success with the Greg Calbi Mastering Presets for Ozone A/Bing multiple versionsįor Greg, multiple comparisons are a must.